For more information on Eva Le Gallienne, visit Britannica.com.
| Britannica Concise Encyclopedia: Eva Le Gallienne |
For more information on Eva Le Gallienne, visit Britannica.com.
| American Theater Guide: Eva Le Gallienne |
Le Gallienne, Eva (1899–1991), actress, manager, and director. Daughter of the famous novelist and poet Richard Le Gallienne, she was born in London and trained at the Royal Academy of Dramatic Arts, acting briefly in England before making her American debut as Rose in Mrs. Boltay's Daughters (1915). Le Gallienne scored her first major success as Julie who loves the ne'er‐do‐well hero in Liliom (1921), and consolidated her new‐found fame when she played Princess Alexandra in a second Molnar play, The Swan (1923). In the 1925–26 season she mounted her own productions of The Master Builder and John Gabriel Borkman, playing Hilda Wangel and Ella Rentheim, and later the same year established her Civic Repertory Theatre in an attempt to offer low‐priced productions of classics. She directed and appeared in many of its productions over the next six years, playing, among others, Masha in The Three Sisters, Viola in Twelfth Night, Sister Joanna in The Cradle Song, Elsa in Alison's House, the White Queen in Alice in Wonderland, and the title roles of Hedda Gabler and Peter Pan. In 1942 she won applause as the spiteful sister Lettie in Uncle Harry. With Cheryl Crawford and Margaret Webster she made another attempt at forming a permanent ensemble in 1946, calling it the American Repertory Company, but its life was short. Many of Le Gallienne's subsequent appearances were in short‐lived failures, but years later she scored a major success as the theatrical dowager Fanny Cavendish in a 1975 revival of The Royal Family. Her last appearances were in To Grandmother's House We Go (1981) and Alice in Wonderland (1982). A small woman, with a tiny, tight‐featured face, her acting struck many as too studiously mannered, but she brought an exceptional intelligence and dedication to all her work. Autobiographies: At 33, 1934; With a Quiet Heart, 1953; biography: Eva Le Gallienne, Helen Sheehy, 1996.
| Music Encyclopedia: Dorian (Leon Marlois) Le Gallienne |
( b Melbourne, 19 April 1915; d there, 29 July 1963). Australian composer. He studied in Melbourne and at the RCM (1938-9) and was influenced by English lyricism, French wit and Stravinsky-Bartók bitonality. His works include a symphony (1953) and chamber music.
| Columbia Encyclopedia: Eva Le Gallienne |
Bibliography
See her autobiographies (1934 and 1953, repr. 1974); biography by H. Sheehy (1996).
Dictionary:
Le Gal·lienne (lə găl'yən, găl-yĕn')
|
| Quotes By: Eva Le Gallienne |
Quotes:
"Innovators are inevitably controversial."
"People who are born even-tempered, placid and untroubled -- secure from violent passions or temptations to evil -- those who have never needed to struggle all night with the Angel to emerge lame but victorious at dawn, never become great saints."
| Actor: Eva Le Gallienne |
| Filmography: Eva Le Gallienne |
| Wikipedia: Eva Le Gallienne |
| This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (April 2009) |
| Eva Le Gallienne | |
|---|---|
![]() |
|
| Born | January 11, 1899 London, England |
| Died | June 3, 1991 (aged 92) Weston, Connecticut |
| Years active | 1948 - 1984 |
Eva Le Gallienne (January 11, 1899 – June 3, 1991) was a well-known actress, producer, and director, during the first half of the 20th century.
Contents |
Eva Le Gallienne was born in London to English poet of French descent, Richard Le Gallienne, and Danish journalist, Julie Norregard.[1] After Eva's parents separated when she was three years old, she spent her childhood shuttling back and forth between Paris and England. She made her stage debut at the age of 15 in a 1914 production of Maurice Maeterlinck's Monna Vanna.
The next year Eva sailed for New York, and then on to Arizona and California where she performed in several theater productions. After traveling in Europe for a period of time, she returned to New York and became a Broadway star in several plays including Arthur Richman's Not So Long Ago (1920) and Ferenc Molnár's Liliom (1921).
Disillusioned by the state of commercial theatre in the 1920s, Eva founded the Civic Repertory Theatre in New York, with the financial support of one of her lovers, Alice DeLamar, a wealthy Colorado gold mine heiress, whose support was instrumental in the success of the repertory theatre movement in the U.S. In 1928 she earned a great success with her performance in Ibsen's Hedda Gabler. The Civic Rep disbanded at the height of the Depression in 1935.[2]
Eva never hid her lesbianism inside the acting community, but reportedly was never comfortable with her sexuality, struggling privately with it.[3] In early Hollywood and acting circles, lesbianism was fairly common, and although generally not divulged to the public, it was accepted behind the scenes. Le Gallienne was very protective of her private life, and although she had no problems with people inside the acting community knowing her sexuality, she was very opposed to anything going public.
During those early days of her career she often was in the company of outspoken and bisexual actress Tallulah Bankhead, and actresses Estelle Winwood and Blyth Daly, with the four of them being dubbed "The Four Horsemen of the Algonquin", referring to the Algonquin Round Table.[4]
In 1918, while in Hollywood, she began an affair with the great actress Alla Nazimova, who was at her height of fame, and who at that time wielded much power in the acting community. The affair ended reportedly due to Nazimova's jealousy. Nonetheless, Nazimova liked Le Gallienne greatly, and assisted in her being introduced to many influential people of the day. It was Nazimova who coined the phrase "Sewing circles", to describe the intricate and secret lesbian relationships lived by many actresses of the day. Le Gallienne was also involved for some time with actresses Tallulah Bankhead, Beatrice Lillie and Laurette Taylor during that time. Her only known heterosexual affair was with actor Basil Rathbone.[4]
Later, around 1920, she became involved with writer Mercedes de Acosta, with the latter making quite a nuisance of herself over the next several years. She and de Acosta began their five year affair shortly after de Acosta's marriage to Abram Poole, also a homosexual. They vacationed and traveled together often, at times visiting the salon of famed writer and socialite Natalie Barney.[3] De Acosta wrote two plays for Eva during that time, Sandro Botticelli and Jehanne de Arc. Neither were successful, and the combined financial failures of both plays and de Acosta's possessive and jealous nature brought the affair to an end.[3][5] De Acosta would go on to become involved in a long affair with actress Greta Garbo, with whom she would become completely obsessed.
By early 1927, Eva was involved with married actress Josephine Hutchinson. Hutchinson's husband started divorce proceedings and named Le Gallienne in the divorce proceedings as "co-respondent". The press began accusations that named Josephine Hutchinson as a "shadow actress", which at the time meant lesbian. Five months later, Le Gallienne performed in the daring play about Emily Dickinson, entitled Alisons House. The play won a Pulitzer Prize.[3]
For a time after the Hutchinson scandal, Le Gallienne drank heavily. According to biographer Richard Schanke, Le Gallienne's anxiety over being lesbian haunted her terribly during this time. One cold winter's night, drunk, she wandered over to a female neighbor's house. During the conversation that followed, she told her neighbor "If you have any thoughts about being a lesbian, don't do it. Your life will be nothing but tragedy."[3]
Another biographer, Helen Sheehy, has rejected Shanke's portrait of the actress as a self-hating lesbian. Sheehy quotes Le Gallienne's words of advice to her close friend May Sarton, who was also a lesbian: "People hate what they don't understand and try to destroy it. Only try to keep yourself clear and don't allow that destructive force to spoil something that to you is simple, natural, and beautiful." Similarly, Le Gallienne told her heterosexual friend, Eloise Armen, that love between women was "the most beautiful thing in the world."
Eva Le Gallienne starred as Peter Pan in a revival that opened on November 6, 1928, and presented the lead character full of elan and boyish charm. The flying effects were superbly designed, and for the first time Peter flew out over the heads of the audience. The critics loved 'LeG' as she became known, and more than a few compared her favorably with the great actress Maude Adams, who had originated the role. The Civic Repertory Theatre presented Peter Pan a total of 129 times.[2]
In late 1929, just after the great stock market crash, Eva was on the cover of TIME. During the Great Depression that followed, she was offered directorship of the National Theater Division of the Works Progress Administration by President Franklin D. Roosevelt. She declined on the grounds that she preferred working with "true talent" rather than nurturing jobs for struggling actors and actresses.[3] She was instrumental in the early career of Uta Hagen, whom she cast as Ophelia opposite her own portrayal of Shakespeare's Prince Hamlet.
In the late 1930s Le Gallienne became involved in a relationship with theater director Margaret Webster. She, Webster, and producer Cheryl Crawford later co-founded the American Repertory Theater, which operated from 1946 to 1948. In the following years she lived with her companion Marion Evensen. In the late 1950s she enjoyed great success playing the role of Queen Elizabeth in Mary Stuart, an off-Broadway production.
In 1960, writer and former lover to many female Hollywood celebrities, Mercedes de Acosta, released her controversial book, Here Lies the Heart, documenting and releasing to the public the details of her numerous affairs with many of Hollywood's leading actresses and female personalities. This resulted in de Acosta being outcast by most of her former lovers and friends.
Eva Le Gallienne, in particular, was furious, and discarded anything reminding her of de Acosta. Many denounced de Acosta as a liar, although most of her claims have since been substantiated through personal correspondence and Hollywood insiders.[3] Among those "outed" by de Acosta as having once been her lovers were, of course, Greta Garbo, Le Gallienne, dancers Tamara Karsavina and Isadora Duncan, actresses Alla Nazimova, Ona Munson, and Marlene Dietrich, among others.[6]
In 1964 Le Gallienne was presented with a special Tony Award in recognition of her 50th year as an actress and in honor of her work with the National Repertory Theatre.
Although known primarily for her theatre work, she has also appeared in films and television productions. She earned an Oscar nomination for her work in Resurrection, for which she gained the honor of being the oldest Oscar nominee up to that time (1980) until Gloria Stuart in 1997; and won an Emmy Award for a televised version of The Royal Family after having starred in a Broadway theatre revival of that play in 1976.
She made a rare guest appearance in a 1984 episode of St. Elsewhere, appearing with Brenda Vaccaro and Blythe Danner as three women sharing a hospital room.
Eva was a naturalized United States citizen. The National Endowment for the Arts recognized her with the National Medal of Arts in 1986.
She died at her home in Connecticut of natural causes at the age of 92.
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
| woman of letters | |
| Liliom (American Theater) | |
| Richard Le Gallienne (English writer) |
| What does Eva mean? Read answer... | |
| What is le reveillon? Read answer... | |
| Who is Eva person? Read answer... |
| Where does EVA mendes live? | |
| Who is Le akim? | |
| What is EVA Tires? |
Copyrights:
![]() | Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved. Read more | |
![]() | American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved. Read more | |
![]() | Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved. Read more | |
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/. Read more | |
![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() |
![]() | Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved. Read more |
![]() | Actor. Copyright © 2009 All Media Guide, LLC. All rights reserved. Read more | |
![]() | Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Eva Le Gallienne". Read more |
Mentioned in