Langella, Frank (b. 1940), actor. The dark, youthful‐looking leading man, whose versatility has allowed him to shine in both classic and contemporary plays, has been a durable and favorite actor on the New York stage for forty years. He was born in Bayonne, New Jersey, and studied theatre at Syracuse University before appearing in stock productions. Langella made his New York debut in 1963 and started to get noticed as a member of the Lincoln Center Theatre Company, particularly as the young Will Shakespeare in A Cry of Players (1968). Among his many memorable performances were the personified lizard Leslie in Seascape (1975), the honorable title hero in The Prince of Homburg (1976), a young and sensuous Dracula (1977), the guilt‐ridden lawyer Quentin in After the Fall (1984), an egotistical Sherlock Holmes in Sherlock's Last Case (1987), the tormented Captain in The Father (1996), and the Russian fop Tropatchov in Fortune's Fool (2002). Langella frequently returned to regional theatre, in particular the Williamstown Theatre Festival.
First Major Screen Credit: Diary of a Mad Housewife (1970)
Biography
An imposing and highly memorable presence on the Broadway stage, actor Frank Langella has won only a fraction of the acclaim he's received in the theater for his film career; still, his brooding good looks and his ability to play both villains and comic foils with a touch of menace has made him a welcome (and increasingly familiar) fare to film buffs. Frank Langella was born in Bayonne, NJ, on New Year's Day, 1940. Langella caught the acting bug when he was 11, after playing an elderly man in a school play on the life of Abraham Lincoln, and he went on to earn a degree in Theater from Syracuse University. After studying acting with Elia Kazan, Langella began working with regional theater companies in the East Coast and the Midwest, and in 1963, made his New York stage debut when he landed the leading role in an off-Broadway revival of The Immoralist. Between 1964 and 1966, Langella would win three Obie awards for his work in off-Broadway theater, and in 1969, he received a Drama Desk award for his work in the drama A Cry of Players. In 1974, he made his Broadway debut in Edward Albee's Seascape, and, the following year, won another Drama Desk award as well as a Tony for his performance.
Langella made his film debut in 1970 with a supporting role in Diary of a Mad Housewife, and later that same year, scored a larger part in The Twelve Chairs, written and directed by Mel Brooks. While Langella landed occasional television and film roles through much of the 1970s, he was still busiest as a stage actor. In 1977, Langella was cast in the leading role of a Broadway revival of Dracula, and his con brio performance as the bloodthirsty count earned rave reviews, turning the production into an unexpected hit. Langella was tapped to reprise his performance for a film version of Dracula released in 1979, but he was forced to tone down his unique take on the role for the screen, and what would have seemingly been the perfect screen vehicle for his talents became a critical and box-office disappointment. However, Langella maintained a busy schedule of stage work, and in the 1990s, finally scored a breakthrough screen role in the comedy Dave as the deceitful political puppet master Bob Alexander. A busy schedule of character roles in such films as Junior, Lolita, and The Ninth Gate followed, though Langella still remained a frequent and distinguished presence in the New York theatrical community. He worked steadily at the beginning of the twenty-first century in films as diverse as the romantic drama Sweet November, and David Duchovny's directorial debut House of D. He scored an artistic and critical success in 2005 playing William Paley in George Clooney's historical docudrama about Edward R. Murrow Good Night, and Good Luck. He was then tapped by Bryan Singer to embody Daily Planet editor Perry White in the 2006 summer blockbuster Superman Returns.
In 2007, Langella earned strong reviews and some awards buzz for his starring role in Starting Out in the Evening, but it was actually the next year, 2008 when he captured a Best Actor Academy Award nomination, a well as a SAG nomination, for his portrayal of disgraced former president Richard Nixon in Ron Howard's big-screen adaptation of Frost/Nixon. ~ All Movie Guide
Langella, an Italian American,[3] was born in Bayonne, New Jersey,[4] the son of Frank A. Langella Sr., a business executive.[5] Langella attended Washington Elementary School and Bayonne High School in Bayonne.[6] He graduated from Columbia High School, in the South Orange and Maplewood School District, in 1955, and graduated from Syracuse University in 1959 with a Bachelor of Arts degree in drama. He remains a brother of the Alpha Chi Rho fraternity.
Langella was married to Ruth Weil from June 14, 1977 to their divorce in 1996. They have two children. He lived with actress/comedian Whoopi Goldberg, whom he met on the set of Eddie in 1996, until they separated in March 2001.
Career
Langella made his first foray on stage in New York in William Gibson's A Cry of Players, playing a young, highly fictionalized William Shakespeare, opposite Anne Bancroft at Lincoln Center's Vivian Beaumont Theatre in 1968, and won film fame in two 1970 films: Mel Brooks' The Twelve Chairs and Frank Perry's Diary of a Mad Housewife, being nominated for a Golden Globe Award for Most Promising Newcomer for the latter. Langella won his first Tony Award for his performance in Edward Albee's Seascape and 1975 and was nominated for another for what may have been the performance for which he was best known for in the early part of his career: the title role of the 1977 Broadway production of Dracula. Despite his initial misgivings about continuing to play the role, he was persuaded to star opposite Laurence Olivier in the subsequent film version directed by John Badham.
In 2000 he played the role of Ebenezer Scrooge in a musical version of A Christmas Carol at Madison Square Garden.[7] He has also appeared in notable off-Broadway productions, including in the title role of Robert Kalfin's Chelsea Theater Center production of The Prince of Homburg, which was filmed by PBS for the Theatre in America series.[8] He recently starred as Sir Thomas More in the 2008 Broadway revival of A Man for All Seasons, which finished its limited run in December.[9]