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Devo

 
Artist: Devo
Devo

Group Members:

Gerald V. Casale, Bob Mothersbaugh, Jim Mothersbaugh, Alan Myers, Bob Casale, David Kendrick, Mark Mothersbaugh

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

Keith Richards, Gerald V. Casale, Allen Toussaint, Bob Lewis, Bob Mothersbaugh, Debbie Smith, Sue Schmidt, Mick Jagger

Formal Connection With:

See Devo Lyrics
  • Formed: 1972, Akron, OH
  • Disbanded: 1991
  • Genres: Rock
  • Representative Albums: "The Essentials", "Hot Potatoes: The Best of Devo", "Greatest Hits
  • Representative Songs: "Whip It", "Girl U Want", "Mongoloid

Biography

One of new wave's most innovative and (for a time) successful bands, Devo was also perhaps one of its most misunderstood. Formed in Akron, OH, in 1972 by Kent State art students Jerry Casale and Mark Mothersbaugh, Devo took its name from their concept of "de-evolution" -- the idea that instead of evolving, mankind has actually regressed, as evidenced by the dysfunction and herd mentality of American society. Their music echoed this view of society as rigid, repressive, and mechanical, with appropriate touches -- jerky, robotic rhythms; an obsession with technology and electronics (the group was among the first non-prog rock bands to make the synthesizer a core element); often atonal melodies and chord progressions -- all of which were filtered through the perspectives of geeky misfits. Devo became a cult sensation, helped in part by their concurrent emphasis on highly stylized visuals, and briefly broke through to the mainstream with the smash single "Whip It," whose accompanying video was made a staple by the fledgling MTV network. Sometimes resembling a less forbidding version of the Residents, Devo's simple, basic electronic pop sound proved very influential, but it was also somewhat limited, and as other bands began expanding on the group's ideas, Devo seemed unable to keep pace. After a series of largely uninteresting albums, the band called it quits early in the '90s, and Casale and Mothersbaugh concentrated on other projects.

Gerald Casale and Mark Mothersbaugh both attended art school at Kent State University at the outset of the 1970s. With friend Bob Lewis, who joined an early version of Devo and later became their manager, the theory of de-evolution was developed with the aid of a book entitled The Beginning Was the End: Knowledge Can Be Eaten, which held that mankind had evolved from mutant, brain-eating apes. The trio adapted the theory to fit their view of American society as a rigid, dichotomized instrument of repression which ensured that its members behaved like clones, marching through life with mechanical, assembly-line precision and no tolerance for ambiguity. The whole concept was treated as an elaborate joke until Casale witnessed the infamous National Guard killings of student protesters at the university; suddenly there seemed to be a legitimate point to be made. The first incarnation of Devo was formed in earnest in 1972, with Casale (bass), Mark Mothersbaugh (vocals), and Mark's brothers Bob (lead guitar) and Jim, who played homemade electronic drums. Jerry's brother Bob joined as an additional guitarist, and Jim left the band to be replaced by Alan Myers. The group honed its sound and approach for several years (a period chronicled on Rykodisc's Hardcore compilations of home recordings), releasing a few singles on its own Booji Boy label and inventing more bizarre concepts: Mothersbaugh dressed in a baby-faced mask as Booji Boy (pronounced "boogie boy"), a symbol of infantile regression; there were recurring images of the potato as a lowly vegetable without individuality; the band's costumes presented them as identical clones with processed hair; and all sorts of sonic experiments were performed on records, using real and homemade synthesizers as well as toys, space heaters, toasters, and other objects. Devo's big break came with its score for the short film The Truth About De-Evolution, which won a prize at the 1976 Ann Arbor Film Festival; when the film was seen by David Bowie and Iggy Pop, they were impressed enough to secure the group a contract with Warner Bros.

Recorded under the auspices of pioneering producer Brian Eno, Q: Are We Not Men? A: We Are Devo! was seen as a call to arms by some and became an underground hit. Others found Devo's sound, imagery, and material threatening; Rolling Stone, for example, called the group fascists. But such criticism missed the point: Devo dramatized conformity, emotional repression, and dehumanization in order to attack them, not to pay tribute to them.

While 1979's Duty Now for the Future was another strong effort, the band broke through to the mainstream with 1980's Freedom of Choice, which contained the gold-selling single "Whip It" and represented a peak in their sometimes erratic songwriting. The video for "Whip It" became an MTV smash, juxtaposing the band's low-budget futuristic look against a down-home farm setting and hints of S&M. However, Devo's commercial success proved to be short-lived. 1981's New Traditionalists was darker and more serious, not what the public wanted from a band widely perceived as a novelty act, and Devo somehow seemed to be running out of new ideas. Problems plagued the band as well: Bob Lewis successfully sued for theft of intellectual property after a tape of Mothersbaugh was found acknowledging Lewis' role in creating de-evolution philosophy, and the sessions for 1982's Oh, No! It's Devo were marred by an ill-considered attempt to use poetry written by would-be Ronald Reagan assassin John Hinckley, Jr. as lyrical material.

As the '80s wore on, Devo found itself relegated to cult status and critical indifference, not at all helped by the lower quality of albums like 1984's Shout and 1988's Total Devo. With the band's shift toward electronic drums, Alan Myers had departed in 1986, to be replaced by ex-Sparks and Gleaming Spires drummer David Kendrick. Devo recorded another album of new material, Smooth Noodle Maps, in 1990, after which its members began to concentrate on other projects. Mark Mothersbaugh moved into composing for commercials and soundtracks, writing theme music for MTV's Liquid Television, Nickelodeon's Rugrats, Pee-Wee's Playhouse, and the Jonathan Winters sitcom Davis Rules. He also played keyboards with the Rolling Stones, programmed synthesizers for Sheena Easton, and sang backup with Debbie Harry. Buoyed by this success, Mothersbaugh opened a profitable production company called Mutato Muzika, which employed his fellow Devo bandmates. Jerry Casale, meanwhile, who directed most of the band's videos, directed video clips for the Foo Fighters' "I'll Stick Around" and Soundgarden's "Blow Up the Outside World." No reunions were expected, but as Devo's legend grew and other bands acknowledged their influence (Nirvana covered "Turnaround," while "Girl U Want" has been recorded by Soundgarden, Superchunk, and even Robert Palmer), their minimalistic electro-pop was finally given new exposure on six dates of the 1996 Lollapalooza tour, to enthusiastic fan response.

The following year, Devo released a CD-ROM game (The Adventures of the Smart Patrol) and accompanying music soundtrack, in addition to playing selected dates on the Lollapalooza tour. 2000 saw the release of a pair of double-disc Devo anthologies: the first was the half-hits/half-rarities Pioneers Who Got Scalped: The Anthology (on Rhino), while the second was the limited-edition mail-order release Recombo DNA (on Rhino's Handmade label), the latter of which was comprised solely of previously unreleased demos. In 2001, the Mothersbaugh and Casale brothers reunited under the name the Wipeouters for a one-off surf release, P Twaaang. Expectedly, there was no supporting tour, as the bandmembers returned back to their full-time jobs at Mutato Muzika. ~ Steve Huey & Greg Prato, All Music Guide
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Discography: Devo
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Whip It & Other Hits

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Live in the Land of the Rising Sun

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Greatest Hits [BMG]

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Pioneers Who Got Scalped: The Anthology

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Live

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Live 1980 [DualDisc]

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Live 1980 [DualDisc] [Jewel Case]

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Live 1980 [DualDisc] [Jewel Case]

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Adventures of the Smart Patrol

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Hardcore Devo, Vol. 2: 1974-1977

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Hardcore Devo, Vol. 1: 74-77

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Hardcore Devo, Vol. 1: 74-77 [France]

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Complete Truth About De-Evolution/DEV-O Live

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Collectables Classics [Box Set]

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Essentials

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Recombo DNA

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Oh, No! It's Devo/Freedom of Choice

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Q: Are We Not Men? A: We Are Devo/DEV-O Live

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Duty Now for the Future/New Traditionalists

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Duty Now for the Future/New Traditionalists [UK]

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Hot Potatoes: The Best of Devo

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Devo Live: The Mongoloid Years

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Greatest Misses

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Greatest Misses

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Greatest Hits

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Greatest Hits

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Smooth Noodle Maps [Bonus Tracks]

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Smooth Noodle Maps

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Post Post-Modern Man

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Now It Can Be Told (Devo at the Palace 12/9/88)

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Total Devo

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Baby Doll

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Disco Dancer

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E-Z Listening Disc

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Shout (Collectables)

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Shout (Collectables)

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Oh, No! It's Devo (Collectables)

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Oh, No! It's Devo (Collectables)

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New Traditionalists

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New Traditionalists

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DEV-O Live [Expanded]

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DEV-O Live

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New Traditionalists [Bonus Tracks]

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Freedom of Choice

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Freedom of Choice

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Freedom of Choice [Bonus Tracks]

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Freedom of Choice [Bonus Tracks]

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Duty Now for the Future

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Q: Are We Not Men? A: We Are Devo!

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Q: Are We Not Men? A: We Are Devo!

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Q: Are We Not Men? A: We Are Devo! [Bonus Tracks]

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Q: Are We Not Men? A: We Are Devo! [Bonus Tracks]

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Wikipedia: Devo
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Devo

in Boston, June 27, 2008
Background information
Origin Akron, OH, and Cuyahoga Falls, OH, U.S.
Genres Punk Rock, New Wave, Post-punk, Synthpop, Synthpunk
Years active 1972–1991
1996–present
Labels Warner Bros., Virgin, Enigma, Rykodisc, Rhino, Stiff
Associated acts Devo 2.0
Jihad Jerry & the Evildoers
The Wipeouters
Website www.clubdevo.com
Members
Mark Mothersbaugh
Bob Mothersbaugh
Gerald Casale
Bob Casale
Josh Freese
Neil Taylor
Former members
Bob Lewis
Peter Gregg
Fred Weber
Rod Reisman
Jim Mothersbaugh
Alan Myers
David Kendrick

Devo (pronounced /ˈdiːvoʊ/ DEE-voh, originally /diːˈvoʊ/ dee-VOH)[1] is an American band associated most often with the New Wave music scene formed in Akron, Ohio in 1973. While they are best known for their 1980 hit "Whip It", which made it to #14 on the Billboard Hot 100 chart, the band has succesfully maintained a cult following since early in their career. Their style over time has shifted variously between punk, art rock, post-punk, and New Wave.

Devo's music and stage show mingle kitsch science fiction themes, deadpan surrealist humor, and mordantly satirical social commentary via sometimes-discordant pop songs that often feature unusual synthetic instrumentation and time signatures, and their work has proved hugely influential on subsequent popular music, particularly New Wave, industrial and alternative rock artists.

Devo was also a pioneer of the music video, creating many memorable clips for the Laser Disc format,[2] with "Whip It" getting heavy airplay in the early days of MTV.

Contents

History

Early years

The name "Devo" comes "from their concept of 'de-evolution' - the idea that instead of evolving, mankind has actually regressed, as evidenced by the dysfunction and herd mentality of American society."[3] This idea was developed as a joke by Kent State University art students Gerald Casale and Bob Lewis as early as the late 1960s. Casale and Lewis created a number of art pieces in a vein of devolution satirically. At this time, Casale had also performed with the local band 15-60-75. They met Mark Mothersbaugh around 1970, who introduced them to the pamphlet "Jocko Homo Heavenbound",[4] which includes an illustration of a winged devil labeled "D-EVOLUTION" and would later inspire the song "Jocko Homo".

The first form of Devo was the "Sextet Devo" which performed at the 1973 Kent State performing arts festival. It included Casale, Lewis and Mothersbaugh, as well as Gerald's brother Bob Casale on guitar, and friends Rod Reisman and Fred Weber on drums and vocals, respectively. This performance was filmed and a part was included on the home video The Complete Truth About De-evolution. This lineup only performed once. Devo returned to perform in the Student Governance Center (featured prominently in the film) at the 1974 Creative Arts Festival with a line-up including the Casale brothers, Bob Lewis, Mark Mothersbaugh, and Jim Mothersbaugh on drums.

Devo later formed as a quartet. They recruited Mark's brothers Bob Mothersbaugh and Jim Mothersbaugh. Bob played electric guitar, and Jim provided percussion using a set of homemade electronic drums. This lineup of Devo lasted until 1976 when Jim left the band. The lineup was occasionally fluid, and Bob Lewis would sometimes play guitar during this period. In concert, Devo would often perform in the guise of theatrical characters, such as Booji Boy, and The Chinaman. Live concerts from this period were often confrontational, and would remain so until 1977. A recording of an early Devo performance from 1975 with the quartet lineup appears on DEVO Live: The Mongoloid Years, ending with the promoters unplugging Devo's equipment.

Following Jim Mothersbaugh's departure, Bob Mothersbaugh found a new drummer in Alan Myers, who played with mechanical precision on a conventional, acoustic drum set. Casale re-recruited his brother Bob Casale, and the popular line-up of Devo was formed. It would endure for nearly ten years.

The front and back covers of Devo's first release, the 45rpm single "Mongoloid" b/w "Jocko Homo" (1977), released on the band's Booji Boy Records

1975–1980

Devo gained some fame in 1976 when the short film The Truth About De-Evolution by Chuck Statler[5] won a prize at the Ann Arbor Film Festival. In 1977 Devo were asked by Neil Young to participate in the making of his film "Human Highway".[6] Released in 1982, the film featured the band as "Nuclear garbagepersons." The band members were asked to write their own parts and Mark Mothersbaugh scored and recorded much of the soundtrack, his first of many.[7]

In 1976 Devo released their first single Mongoloid b/w Jocko Homo, the B-side of which came from the soundtrack to The Truth About De-Evolution, on their independent label "Booji Boy", followed in 1977 by the re-working of the Rolling Stones' "(I Can't Get No) Satisfaction".

In 1978 the "Be Stiff EP" was released by English independent label Stiff Records, which included the single "Be Stiff" plus two previous Booji Boy releases. "Mechanical Man", a 4 track 7" EP of demos; apparently a bootleg, rumored to be put out by the band themselves, was also released that year.

Devo caught the attention of David Bowie and Iggy Pop, who championed the band and enabled Devo to secure a recording contract with Warner Bros. Records. By this time Alan Myers had replaced Jim Mothersbaugh as drummer. After Bowie backed out due to previous commitments, their first album, Q: Are We Not Men? A: We Are Devo! was produced by Brian Eno and featured re-recordings of their previous singles Mongoloid and (I Can't Get No) Satisfaction, their cover version of the Rolling Stones classic. Devo gained national exposure with an appearance on Saturday Night Live, a week after the Rolling Stones, performing "Satisfaction" and "Jocko Homo."

The band followed up with Duty Now for the Future in 1979, which moved the band more towards electronic instrumentation. While not as successful as their first record, it did produce some fan favorites with the songs "Blockhead" and "The Day My Baby Gave Me a Surprise", as well as a re-recorded version of "Secret Agent Man". "Secret Agent Man" had been recorded first in 1974 for Devo's first film and performed live as early as 1976. 1979 also brought Devo to Japan for the first time, and a live show from this tour was partially recorded. Devo also appeared on Don Kirshner's Rock Concert in 1979, performing "Blockhead", "Secret Agent Man", and "Mongoloid". During this period, Lewis successfully sued the band for theft of intellectual property.

Devo gained a new level of visibility with 1980's Freedom of Choice which included their best-known hit, "Whip It", which immediately became a Top 40 hit. The album moved to an almost completely electronic sound, with the exception of acoustic drums and Bob 1's guitar. The tour for "Freedom of Choice" featured the band performing in front of large custom light boxes which could be laid on their back to form a second, smaller stage during the second half of the set. Other popular songs from "Freedom of Choice" were "Girl U Want," the title track (both of which had popular music videos, along with "Whip It"), and "Gates of Steel". Devo made two appearances on the TV show Fridays in 1980, as well as on Don Kirchner's Rock Concert, American Bandstand, and other shows.

The cover of the Rhino Handmade release of the Devo Live E.P.

Devo remained popular in countries such as Australia, where the nationally broadcast 1970s–1980s pop TV show Countdown was one of the first programs in the world to broadcast their video clips. They were given consistent radio support by Sydney-based noncommercial rock station Double Jay (2JJ), one of the first rock stations outside America to play their recordings. The late-night music program Nightmoves aired The Truth About De-Evolution. This paid off, as in August 1981, they found commercial success in Australia when their Devo Live E.P. spent 3 weeks at the top of the Australian charts. Later in the year, they came out to Australia and appeared on the TV show Countdown

During the 1980s, Devo produced the albums New Traditionalists (1981), Oh, No! It's Devo (1982), Shout (1984), to diminishing commercial returns and critical success, though they managed to be a successful live band during this time. Following the commercial failure of Shout, Warner Bros. dropped Devo from their label. Shortly after, claiming to feel creatively uninspired, Alan Myers left the band. Devo went on hiatus for two years.

Devo actively embraced the Church of the SubGenius. In concert, Devo sometimes performed as their own opening act, pretending to be a Christian soft-rock group called "Dove (the Band of Love)", which is an anagram for "Devo". They appeared as "Dove" in the 1980 televangelism spoof Pray TV. They also recorded music, later released on the CD E-Z Listening Disc (1987), with Muzak style versions of their own songs to play before their concerts.

During the interim, Mark Mothersbaugh began composing music for the TV show Pee-Wee's Playhouse, and released an elaborately packaged solo cassette, Musik for Insomniaks, which was later expanded and released as two CDs in 1988.

1987–1994

In 1987, Devo reformed with new drummer David Kendrick, formerly of Sparks. Their first project was a soundtrack for the flop horror film Slaughterhouse Rock, starring Toni Basil. Devo had previously collaborated with Basil on her 1982 album Word of Mouth, and she had been in a relationship with Gerald Casale. The band released Total Devo in 1988 on Enigma Records. This album included two songs used in the Slaughterhouse Rock soundtrack. The song "Baby Doll" was used in the film Tapeheads, with newly recorded Swedish lyrics, and was credited to (and shown in a music video by) a fictitious Swedish band called Cube-Squared. Devo followed this up with a world tour, and released the live album Now It Can Be Told: DEVO at the Palace. However, Total Devo was not a commercial success, and received poor critical reviews.

In 1989, members of Devo were involved in the project Visiting Kids, releasing a self-titled EP on the New Rose label in 1990. The group featured Mark's then wife Nancye Ferguson, as well as David Kendrick, Bob Mothersbaugh, his daughter Alex Mothersbaugh. Their record was produced by Bob Casale and Mark Mothersbaugh; Mark also co-wrote some of the songs. Visiting Kids also appeared on the soundtrack to the film Rockula, as well as on The Late Show with David Letterman. A promotional video was filmed for the song "Trilobites".

1990 saw the release of Smooth Noodle Maps, which would be Devo's last album for nineteen years. It, too, was not a commercial success. Devo launched a European concert tour, but poor ticket sales caused it to be ended early. The band had a falling out soon after, though played two shows in 1991 before breaking up. Around this time, members of Devo appeared in the film Spirit of '76, except for Bob Mothersbaugh. Posthumously, two albums of demo recordings from 1974 to 1977—Hardcore Devo: Volume One (1990) and Hardcore Devo: Volume Two (1991)—were released on Rykodisc, as well as an album of early live recordings, DEVO Live: The Mongoloid Years.

Following the split, Mark Mothersbaugh started Mutato Muzika, a commercial music production studio, taking with him Bob Mothersbaugh and Bob Casale. The former works as a composer, and the latter as a recording engineer. David Kendrick also worked at Mutato for a period during the early 1990s. Mark has gained considerable success in writing and producing music for television programs (starting with Pee Wee's Playhouse and perhaps most famously with Rugrats), video games, cartoons, and movies (notably working alongside director Wes Anderson). Gerald Casale began a career as a director of music videos and commercials. He has worked with bands including Rush, Silverchair, and the Foo Fighters. Also, in the wake of Devo's demise, Bob Mothersbaugh attempted to start a solo career with The Bob I Band, recording an album that was never released. The tapes for this are now lost, though a bootleg of the band in concert has surfaced.

1995–2006

In 1995, Devo reappeared with a new recording of "Girl U Want" on the soundtrack to the movie Tank Girl. In January 1996, Devo performed a reunion concert at the Sundance Film Festival in Park City, Utah. The band performed on part of the 1996 Lollapalooza tour in the rotating Mystery Spot, with a setlist largely composed of material from their heyday between 1978 and 1982. Also in 1996, Devo, perhaps inspired by The Residents, also released a multimedia CD-ROM adventure game, The Adventures of the Smart Patrol with Inscape. The game was not a success, but the Lollapalooza tour was received well enough to allow Devo to return in 1997 as a headliner.

While they did not release any albums during this period, Devo recorded a number of songs for various films since their reunion, including a cover of the Nine Inch Nails hit, "Head Like a Hole" for the film Supercop. In 2001, members of Devo formed the surf band The Wipeouters, describing it as a reunion of the first garage band they started while in their early teens.

In 2004, Devo reunited for a benefit concert at New York City's famed performing arts venue Central Park SummerStage alongside the Yeah Yeah Yeahs and stellastarr*.

Devo also has used their music in advertising. In 2005 Devo recorded a new version of "Whip It" to be used in Swiffer television commercials, a decision they have said they regretted. During an interview with the Dallas Observer, Gerald Casale said, "It's just aesthetically offensive. It's got everything a commercial that turns people off has." [8]

In 2005, Gerald Casale announced his "solo" project, Jihad Jerry & the Evildoers (the Evildoers themselves including the other members of Devo), and released the first EP, Army Girls Gone Wild in 2006. A full length album, Mine Is Not A Holy War was released on September 12, 2006 after a several-month delay. It features mostly new material, plus re-recordings of four very obscure Devo songs: "I Need A Chick" and "I Been Refused" (from Hardcore Devo: Volume Two), "Find Out" (which appeared on the single and EP of "Peek-A-Boo" in 1982), and "Beehive" (which was recorded by the band in 1974, at which point it was apparently abandoned with the exception of one appearance at a special show in 2001). Devo continued to tour actively in 2005 and 2006, unveiling a new stage show at shows in October 2006, and an appearance of the Jihad Jerry character performing "Beautiful World" as an encore.

Also in 2006, Devo worked on a project with Disney known as Devo 2.0. A band of child performers was assembled and re-recorded Devo songs. A quote from the Akron Beacon Journal elucidates, "...Devo recently finished a new project in cahoots with Disney called Devo 2.0, which features the band playing old songs and two new ones with vocals provided by children. Mothersbaugh doesn't rule out the idea of the band gathering in the studio, eventually, to record a new Devo album." Their debut album, a two disc CD/DVD combo entitled "DEV2.0", was released on March 14, 2006. The lyrics of some of the songs have been changed for family-friendly airplay, which has been claimed by the band to be a play on irony of sorts of the messages of their classic hits.

2007–present

Devo Festival Hall, Melbourne, July 2008
Courtesy Mandy Hall

In an April 2007 interview, Gerald Casale mentioned an upcoming project for a movie about Devo's early days. A script is supposedly being developed, tentatively called The Beginning Was the End, though the production hasn't been confirmed yet. Casale also stated that there may be some new Devo material as well, but whether this is related to the release of a movie or not is unclear. Devo played their first European tour since 1990 in the summer of 2007, including a performance at Festival Internacional de Benicàssim.

In December 2007, Devo released their first new single since 1990, "Watch Us Work It," which was featured in a commercial for Dell. The song features a sample drum track from the song "The Super Thing" off of their 1981 album New Traditionalists. The band has announced in a July 23, 2007, MySpace bulletin that a full length music video for the song was forthcoming, and the song itself is available on iTunes and eMusic. Casale said that this song was chosen from a batch of songs that the band was working on, and that also this is the closest the band has been to a new album. Devo's song, "Gut Feeling/Slap Your Mammy", was featured in EA Sports' skateboard video game, Skate.[9] The songs "Girl U Want" and "Through Being Cool" were released as downloadable content for the video game Rock Band on August 19, 2008. The song "Uncontrollable Urge" is featured in the video game Rock Band 2. All three songs have been rerecorded exclusively for Rock Band.

In a December 5, 2007 article on Mutato Muzika, LA Weekly reported that "After touring sporadically over the past decade but not releasing any new material, Devo are spending December at Mutato trying to create an album’s worth of new material and contemplating a method of dispersal in the post-record-company world." [10] In a recent interview [11], Mothersbaugh revealed a song title from the in-progress album: "Don't Shoot, I'm a Man". However, in a radio interview on April 17, 2008, Jerry stated that Mark had "killed the project" and that there would be no new Devo album.[12] Casale, however, later stated that "We're going to finish what we started." [13]

In June 2008 McDonald's released a Happy Meal toy wearing the Devo Energy Dome that they named "New Wave Nigel". It was reported by AAP that a band member had initiated legal action against McDonald's as the hamburger chain had copied trademarked elements of the band's look.[14] The following week it was reported a gag order had been placed on the band regarding further public statements on the matter.[15] By July 2008 various blogs referred to "an e-mail" from a colleague of the band's attorney that suggested the issue was "amicably resolved".[16]

Devo played dates in the United States, Japan, Australia, France, and Spain in the summer of 2008. Also in 2008 the band remixed the Attery Squash song 'Devo Was Right About Everything' which was released on the B-side to the Watch Us Work It vinyl 12" single. They also remixed a song by Datarock, "Computer Camp", which can be heard on the band's MySpace page. Datarock routinely cites Devo as an influence. 2008 also saw a Japan exclusive box set containing the band's first six albums, This is the Devo Box. On October 17, 2008, Devo performed a special concert at the Akron Civic Theater, their first in Akron since 1978, to promote Democratic presidential candidate Barack Obama. They were joined at the concert by fellow Akron-area musicians The Black Keys and Chrissie Hynde.[17]

In recent interviews, Devo has confirmed that they will be completing their new album.[18] The Studio Notes section of the November 27 issue of Rolling Stone stated that "Devo are working on their first album of new material since 1990's Smooth Noodle Maps. 'We have about 17 songs we're testing out," says frontman Mark Mothersbaugh. 'We've already been contacted by 20 producers - including Snoop Dogg and Fatboy Slim.'" Fall 2009 has been confirmed as a release date.[19][20]

Devo announced in early 2009, that they would be performing at SXSW on March 20th, with a warmup show in Dallas on March 18th. At these shows, Devo performed a new stage show utilizing synchronized video, similar to the 1982 tour, new costumes, and three new songs: "Don't Shoot, I'm a Man!", "What We Do", and "Fresh". All of these songs included a video backdrop which the band performed in front of. Devo also confirmed that they would be performing at All Tomorrow's Parties on May 6 and 8, with the May 6th performance featuring the band performing their first album, Q: Are We Not Men? A: We Are Devo!, in its entirety. The May 8th performance was a "greatest hits" show, for the ATP "Fans Strike Back" event.

On Friday, April 10, 2009, Devo debuted the music video for "Don't Shoot (I'm a Man)" on their website, through Vimeo.[21] In an interview for the website "Subba-Cultcha", Casale stated, "regardless of the final title, it will be 'Fresh'!"[22] It is slightly unclear as to whether or not this indicates the final album title or not. In the June 2009 issue of Rolling Stone, the band noted that the album's release had been pushed back to 2010 to allow for "radical remixing".[23]

On September 16, 2009, Warner Brothers and Devo announced a re-release of Q: Are We Not Men? A: We Are Devo! and Freedom of Choice, with a tour performing both albums.[24] In an interview with Gerald Casale in late October 2009, he announced that Devo's new album will be picking-up from where they left off. "We think it’s the best record that we’d ever done although we’re not certain that Fresh will be the title. There are more good songs on this album than any other record that we’ve made. We’re aiming for a spring release," quoted Casale.[25]

Discography

Mark Mothersbaugh performing as part of Devo at the "Festival Internacional de Benicàssim", on July 20, 2007.

Line up

Sextet Devo
(1973)

The Sextet Devo performed only once in 1973 at the Kent State Performing Arts festival

Quartet Devo
(1974-1975)
Classic Line Up
(1975-1985)
Enigma Records
(1987-1991)
Current (1996-Today)

David Kendrick performed with Devo at several 2003 shows, including their tour of Japan due to the unavailability of Josh Freese.
Neil Taylor, Devo's drum technician also performs when Freese is unavailable, and performed on the 2008 Australian Tour.

See also

References

  1. ^ The DEVO FAQ, Info from Jerry Casale
  2. ^ Interview with Devo
  3. ^ Devo Bio ClubDevo.com, Retrieved September 11, 2007
  4. ^ http://fw_alden.tripod.com/id1.html
  5. ^ Liner notes to Devo, "Mongoloid" b/w "Jocko Homo". Booji Boy Records, 1977, which say "'Jocko Homo' - from the soundtrack of 'In the Beginning Was the End...(the truth about DE-EVOLUTION)' a film by Chuck Statler." (emphasis added)
  6. ^ Oh Yes, It’s Devo: An Interview with Jerry Casale Brian L. Knight, The Vermont Review, Retrieved December 15, 2007
  7. ^ Interview, April 25, 2001 at liveDaily.com Retrieved September 5, 2007
  8. ^ The Dallas Observer
  9. ^ EA : Skate
  10. ^ LA Weekly Article
  11. ^ Access Atlants Article
  12. ^ YouTube Radio Interview w/ Gerald Casale re: New Album
  13. ^ Timeout Sydney
  14. ^ McDonald's sued over Happy Meal toy AAP, June 13, 2008, Retrieved July 26, 2008
  15. ^ Devo Suing McDonald's Over Happy Meal Toy | Pitchfork
  16. ^ Law Blog - WSJ.com : Whip It! Devo's Law Firm Says Band Isn't Suing Over McDonald's Doll
  17. ^ Akron Beacon Journal online
  18. ^ http://www.laweekly.com/2008-10-30/music/preschool-confidential/2
  19. ^ http://www.nme.com/news/devo/43368
  20. ^ http://www.dallasnews.com/sharedcontent/dws/ent/stories/DN-devo_0318gd.ART0.State.Edition1.4a824a0.html
  21. ^ http://clubdevo.com/mp/news_pgs/dontshoot_video.html Don't Shoot, I'm a Man video.
  22. ^ http://www.subba-cultcha.com/article_feature.php?id=5967 Subba-Culture interview revealing album title.
  23. ^ "In the Studio" section of June 2009 Rolling Stone
  24. ^ Warner Brothers and Devo press release on re-release and tour
  25. ^ "8 QUESTIONS WITH: DEVO". The Music Slut. October 28, 2009. http://themusicslut.com/2009/10/8-questions-with-devo/. Retrieved 2009-10-31. 

Further reading

External links


 
 
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