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American Repertory Theater

 
American Theater Guide: American Repertory Theatre

Two notable theatres have used this name, one in New York after World War II and the current one in Cambridge, Massachusetts. The first American Repertory Theatre was created in 1946 with Cheryl Crawford, Eva Le Gallienne, and Margaret Webster as directors. The company stated its purpose was to “be for the drama what a library is for literature or a symphony orchestra for music.” Besides Le Gallienne and Webster, its roster of distinguished performers included Philip Bourneuf, Walter Hampden, Victor Jory, and Ernest Truex. It was hoped that with time the organization might develop into the New York equivalent of London's Old Vic or Paris's Comédie Française. The schedule for the first season offered King Henry VIII, What Every Woman Knows, John Gabriel Borkman, Androcles and the Lion, Pound on Demand, Yellow Jack, and Alice in Wonderland. The company was housed in an old theatre on Columbus Circle, far from the theatrical center, and disbanded at the end of its first season, which had elicited a disappointing response from both critics and public. Robert Brustein and Robert J. Orchard cofounded the second American Repertory Theatre in 1980, located at Harvard University's Loeb Drama Center. The company differs from most regional theatres in that it maintains a resident acting company and is known for its controversial productions, such as works by Robert Wilson and the experimental mounting of Endgame in 1985 that even playwright Samuel Beckett thought was too extreme. The American Repertory Theatre has also introduced some new native works, such as the drama 'night, Mother and the musical Big River. The company operates an international training conservatory in association with Harvard. In 1986 it won the regional theatre Tony Award.

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The American Repertory Theater (A.R.T.) is a professional not-for-profit theatre in Cambridge, Massachusetts. Founded in 1980 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Over the past thirty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985).[1] In December 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and in May 2003 it was named one of the top three theaters in the country by Time Magazine. The A.R.T. is housed in the Loeb Drama Center at Harvard University.

Coordinates: 42°22′29.84″N 71°7′21.54″W / 42.3749556°N 71.12265°W / 42.3749556; -71.12265

In 2002 Robert Woodruff replaced founder Robert Brustein as the A.R.T.'s Artistic Director. After Woodruff's departure in 2007, Associate Artistic Director Gideon Lester took the reins for 2008-09 season, and in May 2008 Diane Paulus was named the new Artistic Director. Paulus, a Harvard alum, is widely known as a director of theater and opera. Her work includes The Donkey Show, which ran off-Broadway for six years; productions at the Chicago Opera Theatre; and the Public Theater's 2008 production of Hair, which won the Tony Award for Best Revival of a Musical.

Contents

Productions

2009–2010 Season

The A.R.T.'s 30th season, its first under the helm of Artistic Director Diane Paulus, eschews the traditional model and instead offers a series of "festivals" which will encourage audiences to experience productions as parts of larger cultural events.

FESTIVAL No. 01: Shakespeare Exploded

FESTIVAL No. 02: America: Boom, Bust, and Baseball

2008–2009 Season

  • Let me Down Easy featuring Anna Deavere-Smith directed by Eric Ting September 12 - October 11, 2009 at the Loeb Drama Center.
  • Communist Dracula Pageant by Anne Washburn directed by Anne Kauffman. October 18 - November 9 at the Zero Arrow Theater.
  • Aurélia's Oratorio written and directed by Victoria Thierrée Chaplin starring Aurélia Thierrée. November 28 – January 3 at the Loeb Drama Center.
  • The Seagull directed by János Szász. January 10 – February 1 at the Loeb Drama Center.
  • Endgame by Samuel Beckett. Directed by Marcus Stern. February 14 – March 15 at the Loeb Drama Center.
  • Trojan Barbie by Christine Evans, directed by Carmel O'Reilly. March 28 – April 22 at the Zero Arrow Theater.
  • Romance by David Mamet. Directed by Scott Zigler. May 9–31 at the Loeb Drama Center.

2007–2008 Season

  • Don Juan Giovanni and Figaro directed by Dominique Serrand in association with Theatre de la Jeune Lune. In repertory August 31 - October 6, 2007 at the Loeb Drama Center.
  • Donnie Darko adapted and directed by Marcus Stern, based on the film by Richard Kelly. October 27 - November 18 at the Zero Arrow Theater.
  • No Child... written and performed by Nilaja Sun. November 23 - December 23 at the Loeb Drama Center.
  • Copenhagen written by Michael Frayn and directed by Scott Zigler. January 5 - February 3 at the Loeb Drama Center.
  • Julius Caesar by William Shakespeare. Directed by Arthur Nauzyciel. February 9 - March 22 at the Loeb Drama Center.
  • Elections & Erections: A Chronicle of Fear & Fun by Pieter-Dirk Uys. April 2 - May 4 at the Zero Arrow Theater.
  • Cardenio by Charles Mee and Stephen Greenblatt. Directed by Les Waters. May 10 - June 1 at the Loeb Drama Center.

Playwrights and directors

The A.R.T. prides itself on presenting both American and World premiere productions. Over the years, these have included works by Robert Auletta, Robert Brustein, Anton Chekhov, Don DeLillo, Keith Dewhurst, Christopher Durang, Elizabeth Egloff, Peter Feibleman, Jules Feiffer, Dario Fo, Carlos Fuentes, Larry Gelbart, Leslie Glass, Philip Glass, Stuart Greenman, William Hauptman, Allan Havis, Milan Kundera, Mark Leib, Gideon Lester, David Lodge, Carol K. Mack, David Mamet, Charles L. Mee, Roger Miller, John Moran, Robert Moran, Heiner Müller, Marsha Norman, Han Ong, Amanda Palmer, David Rabe, Franca Rame, Adam Rapp, Keith Reddin, Ronald Ribman, Paula Vogel, Derek Walcott, Naomi Wallace, and Robert Wilson.

The A.R.T. has also engaged a collection of world famous stage directors throughout the years, including JoAnne Akalaitis, Andrei Belgrader, Anne Bogart, Lee Breuer, Robert Brustein, Liviu Ciulei, Ron Daniels, Liz Diamond, Joe Dowling, Michael Engler, Alvin Epstein, Dario Fo, Richard Foreman, David Gordon, Adrian Hall, Richard Jones, Michael Kahn, Jerome Kilty, Krystian Lupa, John Madden, David Mamet, Des McAnuff, Jonathan Miller, Tom Moore, David Rabe, François Rochaix, Robert Scanlan, János Szász, Peter Sellars, Andrei Şerban, Sxip Shirey, Susan Sontag, Marcus Stern, Slobodan Unkovski, Les Waters, David Wheeler, Frederick Wiseman, Robert Wilson, Robert Woodruff, Yuri Yeremin, Francesca Zambello, and Scott Zigler.


Educational institution

In 1987, the A.R.T. founded the Institute for Advanced Theater Training, a five semester professional training M.F.A. program which includes a three month period working and training at the Moscow Art Theatre School in Russia. This program provides training for graduate-level actors, dramaturgs, and voice students. For a time, the Institute included a director-training program, which was discontinued in 2004; the dramaturgy program was simultaneously tripled in enrollment. This joint program has historically conferred an M.F.A. from the Moscow Art Theatre School and a certificate of completion from Harvard. The program is administered and housed by the A.R.T., and training is provided by full-time, part-time, and visiting teachers and artists at the A.R.T. These include Russian teachers affiliated with the Moscow Art Theatre School, who teach in residence in Cambridge as well as in Moscow when the students study there. The Institute is remarkable among conservatory programs for the degree to which it offers the opportunity for exposure to and collaboration with internationally renowned artists of the "avant-garde," particularly those from eastern Europe and Russia.

Performance venues

OBERON

OBERON (sometimes referred to as Club Oberon) is a new club theater venue that opened in August 2009. The venue inhabits the space that was once the Zero Arrow Street Theater. The venue was originally created as set for the A.R.T.'s production of The Donkey Show and it was soon decided to convert the theater into a full functioning club theater venue fitting the revolutionary club theater model and philosophy developed by The Donkey Show's creator Randy Weiner.

Loeb Drama Center and other venues

Before the OBERON and the now defunct Zero Arrow Theater, the A.R.T. used the old Hasty Pudding theater in addition to the Loeb Mainstage, and the Institute for Advanced Theater Training used the sub-basement of The First Parish in Cambridge, Zero Church Street, a flexible almost black box venue, which they still occasionally use.

References

  1. ^ http://www.nytimes.com/1985/11/26/theater/jujamcyn-award-to-american-repertory-theater.html

External links



 
 

 

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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